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Lora Bidner is an Emmy, CSA, and CASMA-nominated, four-time SOCAN Foundation award-winning screen composer, songwriter, and multi-instrumentalist. Recognized for her evocative melodies and rich, experimental vocal textures, she has carved out a distinct voice in the world of film and television scoring.

 

Her standout work includes co-scoring the acclaimed fantasy series Ruby and the Well (Family Channel), composing the main theme for Malory Towers (BBC/Family Channel), and scoring the feature thrillers Terror Comes Knocking(Lifetime/A&E) and Welcome (Dark Wolf Prod.).

 

With a gift for crafting emotionally resonant scores, she has shaped projects such as the 2023 and 2024 Canadian Blood Services campaigns—credited with helping triple blood donations—Season 2 of the drama mini-series Hogtown (Sahkosh Prod.), and the post-apocalyptic sci-fi short Sanctorum (Paul Bros VFX).

 

Her diverse portfolio spans over 100 projects, including feature films, TV series, VR video games, theatrical productions, commercials, animations, and short films. Whether composing sweeping orchestral themes or experimental electronic soundscapes, Bidner brings depth, innovation, and a distinct artistic voice to every score.

 

Her work has been showcased on major streaming platforms such as Apple TV and Amazon Prime, as well as the BYUTV app, and featured at prestigious festivals, including Hot Docs, TIFF Next Wave, WIFT Showcase, Fantasia Film Festival, NFFTY, Die Seriale, and the Pan African Film Festival.

 

Bidner is an alumna of the esteemed Slaight Family Music Lab at the Canadian Film Centre and holds a Master’s in Music Technology from the University of Toronto. 

 

She continues to push the boundaries of storytelling through music—crafting scores that elevate the narrative, captivate audiences, and leave a lasting impact. Her inspired collaborative spirit fosters strong relationships, making her a dynamic, positive asset to every creative team she joins.

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Lora Bidner
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FEATURED WORKS 

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Don't Click Feature Film
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Listen by Genre 

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